Albums
Grandmaster Flash, Grandmaster Melle Mel & The Furious Five - The Greatest Hits

Also Featured On...
Beat Street Vol. 1 & 2 (Grandmaster Melle Mel & The Furious Five)
Blazin' (Melle Mel)
Doug E. Fresh - Play (The Furious Five)
Rick James - Anthology
Quincy Jones - Q's Jook Joint (Melle Mel)
Millennium Hip-Hop Party
MTV The First 1000 Years: Hip Hop
Murder Dog Presents Sac Kingz (Melle Mel)
The Source Presents Hits From The Vault Vol. 1: The Pioneers
Street Jams: Hip Hop From The Top Part 2
The Sugar Hill Story

Grandmaster Flash's Bio From AllMusic.Com
DJ Grandmaster Flash and his group the Furious Five were hip-hop's greatest innovators, transcending the genre's party-music origins to explore the full scope of its lyrical and sonic horizons. Flash was born Joseph Saddler in Barbados on January 1, 1958; he began spinning records as teen growing up in the Bronx, performing live at area dances and block parties. By age 19, while attending technical school courses in electronics during the day, he was also spinning on the local disco circuit; over time, he developed a series of groundbreaking techniques including "cutting" (moving between tracks exactly on the beat), "back-spinning" (manually turning records to repeat brief snippets of sound), and "phasing" (manipulating turntable speeds) — in short, creating the basic vocabulary which DJs continue to follow even today.

Flash did not begin collaborating with rappers until around 1977, first teaming with the legendary Kurtis Blow. He then began working with the Furious Five — rappers Melle Mel (Melvin Glover), Cowboy (Keith Wiggins), Kid Creole (Nathaniel Glover), Mr. Ness aka Scorpio (Eddie Morris), and Rahiem (Guy Williams); the group quickly became legendary throughout New York City, attracting notice not only for Flash's unrivalled skills as a DJ but also for the Five's masterful rapping, most notable for their signature trading and blending of lyrics. Despite their local popularity, they did not record until after the Sugarhill Gang's smash "Rapper's Delight" proved the existence of a market for hip-hop releases; after releasing "We Rap More Mellow" as the Younger Generation, Flash and the Five recorded "Superappin'" for the Enjoy label owned by R&B legend Bobby Robinson. They then switched to Sugar Hill, owned by Sylvia Robinson (no relation), after she promised them an opportunity to rap over a current DJ favorite, "Get Up and Dance" by Freedom (the idea had probably been originally conceived by Crash Crew for their single "High Powered Rap").

That record, 1980's "Freedom," the group's Sugar Hill debut, reached the Top 20 on national R&B charts on its way to selling over 50,000 copies; its follow-up, "Birthday Party," was also a hit. 1981's "The Adventures of Grandmaster Flash on the Wheels of Steel" was the group's first truly landmark recording, introducing Flash's "cutting" techniques to create a stunning sound collage from snippets of songs by Chic, Blondie, and Queen. Flash and the Five's next effort, 1982's "The Message," was even more revelatory — for the first time, hip-hop became a vehicle not merely for bragging and boasting but for trenchant social commentary, with Melle Mel delivering a blistering rap detailing the grim realities of life in the ghetto. The record was a major critical hit, and it was an enormous step in solidifying rap as an important and enduring form of musical expression.

Following 1983's anti-cocaine polemic "White Lines," relations between Flash and Melle Mel turned ugly, and the rapper soon left the group, forming a new unit also dubbed the Furious Five. After a series of Grandmaster Flash solo albums including 1985's They Said It Couldn't Be Done, 1986's The Source, and 1987's Da Bop Boom Bang, he reformed the original Furious Five lineup for a charity concert at Madison Square Garden; soon after, the reconstituted group recorded a new LP, 1988's On the Strength, which earned a lukewarm reception from fans and critics alike. Another reunion followed in 1994, when Flash and the Five joined a rap package tour also including Kurtis Blow and Run-D.M.C. A year later, Flash and Melle Mel also appeared on Duran Duran's cover of "White Lines." Except for a few compilations during the late '90s, Flash was relatively quiet until 2002, when a pair of mix albums appeared: The Official Adventures of Grandmaster Flash on Strut and Essential Mix: Classic Edition on ffrr. - Jason Ankeny

Melle Mel's Bio From AllMusic.Com
Lyrical leader of the original Furious Five and founder of a splinter version of the group during the mid-'80s, Melle Mel wrote many of the legendary raps featured on Grandmaster Flash tracks. Born Melvin Glover, he and his brother Nate (aka Kidd Creole) (not the Caribbean dance-popster of the same name) joined up with Cowboy (Keith Wiggins) in 1978 to form the Three MC's, with production handled by Grandmaster Flash (Joseph Saddler). After Scorpio (originally Mr. Ness, aka Ed Morris) and Raheim (Guy Williams) joined up as well, the group recorded two singles (one as the Younger Generation and Flash & the Five) before they became Grandmaster Flash & the Furious Five and recorded the magnificent "Superappin'" for Enjoy, owned by R&B legend Bobby Robinson.

One year later, the group began recording for Sugar Hill and scored on the R&B charts with the wild party jams "Freedom" and "Birthday Party." In 1982, "The Message" became an instant rap classic, one of the first glimmers of social consciousness in hip-hop, and Melle Mel was responsible for many of the cutting lyrics. The record's enormous success ended up fracturing the group, however, despite subsequent successes like "New York New York" and "The Message II (Survival)." Melle Mel wasn't happy about sharing composer credits for "The Message" (especially with Sylvia Robinson), and Flash sued Sugar Hill, citing Robinson's conflict of interest (she not only co-owned the label, but produced and managed the group). Though most of their beefs were directed at Sugar Hill and not inwards, Grandmaster Flash & the Furious Five split down the middle, with Flash departing for Elektra with Kidd Creole (Mel's brother) and Raheim while Melle Mel stayed put and formed his own version of the group with Cowboy and Scorpio. (After a court battle regarding rights to the name, Melle Mel was allowed the use of "Grandmaster" as well.) Late in 1983, Sugar Hill released Melle Mel's "White Lines (Don't Don't Do It)," variously described as anti-drugs or pro-drugs, though the death of one of Mel's friends, a drug dealer, a few weeks before release caused him to add the parentheses.

Mel's best year came in 1984, when he rapped over Chaka Khan's platinum, Grammy-winning "I Feel for You" (the first exposure to rapping for mainstream audiences). He was also drafted for the rap film Beat Street, where Grandmaster Melle Mel & the Furious Five performed their new hit "Beat Street" (aka "Beat Street Breakdown") and appeared next to Afrika Bambaataa, the Treacherous Three, Doug E. Fresh, and Rock Steady Crew. Mel recorded a pair of LPs for Sugar Hill during the mid-'80s, then reunited with Flash and the rest of the original Furious Five for a 1988 LP titled On the Strength. It failed miserably in an atmosphere that was decidedly anti-old school, and neither of them recorded for almost ten years. A 1997 record, Right Now, paired Melle Mel with Scorpio, but also failed to sell. His new project, Die Hard, debuted in 2001 with On Lock. - John Bush

Official Site: Grandmaster Flash & The Furious Five's MySpace